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Font by font: 36 Days of Type | #DIVE
On 10 April, the 36 Days of Type initiative was launched again, with a new letter every day and artists from around the world attempting to reinterpret the alphabet. In the latest episode of our DIVE series, we invite you to dive in again. Dive in!
In our bi-weekly DIVE
design
HIGHLIGHTS | Line and letter
Ever since there was once a Bauhaus and Swiss graphic design, it’s no surprise to anyone that a business chooses total minimalism as its visual identity. However, touching the basics of our written language tools, the letters, and just a few lines can still make an impact with novelty
design
HIGHLIGHTS | Letter+color
The visual identity of a company or organization is now an unavoidable factor. This has been the case for a long time, but over the years it has become more and more important and urgent to develop a visual language that is best optimized for the hectic life and intuitions
design
Grotesque typography with a small twist | Ognjen Gligorijevic
Serbian graphic designer and art director Ognjen Gligorijevic created a beautiful font family: lo and behold, Rale Grotesk!
Recently, a new typographic approach has gained ground in the world of mainstream visuals. The exaggeration of ink traps is an obvious projection of the process in which elements that have lost
graphic design
A font family inspired by the Bulgarian alphabet
Berlin-based graphic designer Oli Meier’s unique font called Vary was recently published. The font family is inspired by the Bulgarian alphabet, more precisely its “G” character.
Meier’s love project began in 2016, when he was standing in front of a shop window in Sofia: he saw a strange,
design
Kandinsky reimagined
South Korean designer Jong Min has shared an incredible typographical and illustration project, which was inspired by the painting style of Vassily Kandinsky.
Jong has designed each letter based on the work of Tano Veron. The end result is an abstract, colorful font family consisting of 3D elements, which definitely
art
A font family made up of buildings
In English designer Mel Edwards’ work, the pastel-colored buildings of Accidentally Wes Anderson are transformed into letters.
The unique letters were created as part of the annual open call 36 Days of Type: within its framework, graphic designers, illustrators and artists share reimagined versions of the letters and numbers of